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Poiesis Cello

Poiesis Cello
Not on sale right now
On sale 35 of the last 90 days. 90-day low is $69.30.
$99.00
Prices checked daily at 06:00 UTC. Affiliate link.

Price history

$0$50$10030 Jul12 Sept27 Oct
$0$50$10030 Jul12 Sept27 Oct
On sale
35 of the last 90 days
Lowest in 90 days
$69.30
Highest in 90 days
$99.00

About this plugin

Poiesis Cello 2 represents a thoughtful evolution of Sonora Cinematic's extended-technique cello library, now integrated into their Aria Engine architecture. Rather than operating as a conventional sampled instrument, it functions as a textural sound design platform where two articulation layers can be blended, filtered, and processed in real time using an extensive effects library.

The sonic character trades traditional cello articulation clarity for atmospheric dimensionality. Octave harmonics, bow bounces, and reiterations create timbral surfaces that shift between reflective warmth and deliberate unease - a sensibility that appeals to composers seeking organic complexity without relying on synthesis alone. The naturally drifting quality of certain articulations, deliberately preserved through subtle tuning adjustments, contributes to an inherent instability useful in film scoring and experimental contexts.

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The dual-layer approach allows layered articulations to be crossfaded or stacked, with independent filtering and modulation capabilities. An XY pad enables parameter evolution across sustained tones, while the new Articulation Keyswitch system permits either traditional key switching or velocity-based articulation selection. This flexibility addresses a genuine workflow pain point for users who value expressive control without deep editing sessions.

Poiesis Cello 2 occupies a specific niche: it suits composers and sound designers prioritizing textural sophistication and extended techniques over traditional orchestral playability. The included hundred presets provide reasonable departure points, though the instrument's strength emerges when treating it as a sound design tool rather than a standard library. Users accustomed to experimental scoring or cinematic sound design will find it more capable than general-purpose cello libraries, though its timbral priorities make it less suitable for conventional orchestral writing.

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