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Oxford SuprEsser DS

Oxford SuprEsser DS
Not on sale right now
On sale 6 of the last 90 days. 90-day low is $92.00.
$372.00
Prices checked daily at 06:00 UTC. Affiliate link.

Price history

$0$250$50030 Jul12 Sept27 Oct
$0$250$50030 Jul12 Sept27 Oct
On sale
6 of the last 90 days
Lowest in 90 days
$92.00
Highest in 90 days
$372.00

About this plugin

The Oxford SuprEsser DS is a linear phase de-esser designed to address sibilance and other aggressive high-frequency artifacts with surgical precision. Unlike broadband compressors that affect entire frequency ranges, this plugin targets problem frequencies between 1kHz and 20kHz, making it particularly effective for controlling vocal sibilance, hi-hat harshness, and cymbal splash without dulling overall tone.

The plugin's architecture centers on real-time FFT analysis paired with three listening modes - including a solo function that isolates the frequencies being processed. This visual and sonic feedback system allows engineers to identify problem areas before applying correction, reducing the trial-and-error typical of de-essing. The interface balances accessibility with depth, offering a streamlined simple mode for quick fixes and an advanced mode for complex material requiring nuanced control.

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Auto Level Tracking is a particularly useful feature, automatically adjusting gain reduction as signal levels fluctuate - essential when de-essing vocals that vary dynamically between verses and choruses. The 1.9ms latency at 48kHz is negligible for most tracking and mixing applications, while a parallel processing blend control enables transparent parallel de-essing techniques without introducing phase artifacts.

The SuprEsser DS occupies a clear position among professional de-essers: more transparent than character-driven alternatives, more intuitive than fully parametric options. It suits vocal engineers, mixing professionals handling aggressive sources, and anyone requiring reliable sibilance control without sonic compromise. At 96kHz support with low latency, it functions equally well in tracking, mixing, and mastering contexts.

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