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Instant Flanger Mk II

Instant Flanger Mk II
Almost always on sale
On sale 90 of the last 90 days. Treat this as its normal price.
$99.00$129.00Save $30.00 (23% off)
Prices checked daily at 06:00 UTC. Affiliate link.

Price history

$0$50$10030 Jul12 Sept27 Oct
$0$50$10030 Jul12 Sept27 Oct
On sale
90 of the last 90 days
Lowest in 90 days
$49.00
Highest in 90 days
$99.00

About this plugin

The Instant Flanger Mk II is a precise digital emulation of Eventide's legendary 1975 hardware flanging unit, capturing the mechanical character of tape-based pitch modulation without the maintenance headaches. Where most flanger plugins model the effect mathematically, this plugin recreates the actual servo-motor behavior of capstan-driven tape machines - the subtle overshoot and undershoot that occurs when physical pressure is released from the tape reel. The Bounce control, which simulates this mechanical recovery, is the plugin's defining feature and explains why it sounds distinctly organic compared to purely algorithmic competitors.

The core flanging engine offers three distinct character settings: Shallow for transparent, vocal-like coloration; Deep for the pronounced jet-like sweeps associated with 1980s production; and Wide, which generates pseudo-stereo imaging from mono sources. The last mode proves particularly valuable for expanding thin lead guitars or synthesizers without phase complications that plague naive stereo processing. Independent Depth and Feedback controls provide intuitive shaping of the comb-filtered character, while the Low Cut filter enables harmonic separation useful for stacking multiple flanged sources.

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Multiple modulation options distinguish working with this plugin - envelope follower, free-running oscillator, manual control via the Big Knob, and MIDI learn capability make it adaptable to performance contexts or highly scripted production work. Eventide's engineering pedigree shows in the implementation; the sound is clean and artifact-free even at extreme settings.

The Instant Flanger Mk II occupies a specific but essential niche: for engineers seeking authentic tape-era character rather than modern digital flanging, or those working across stereo synthesis, this remains the technical standard.

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