CineWinds Monster Low Winds
Price history
- On sale
- 29 of the last 90 days
- Lowest in 90 days
- $64.00
- Highest in 90 days
- $99.00
About this plugin
CineWinds Monster Low Winds captures the orchestral low woodwind section with genuine character and technical precision. Recorded at Sony Pictures' MGM Scoring Stage using a semi-circular ensemble of 2 bassoons, 3 contrabassoons, 2 contrabass clarinets, and 3 bass clarinets, the library delivers the weight and width essential to contemporary film scoring.
The plugin's architecture centers on true legato sampling across all intervallic leaps, analyzing incoming MIDI and triggering appropriate transitional recordings for smooth, realistic voice leading. This approach proves considerably more nuanced than interval-mapped libraries, particularly when handling chromatic movement or irregular phrasing patterns. Beyond sustains and staccato articulations, the library includes characterful effects ( rumble, squeaks, clusters, swells, rips ) that add textural complexity for dramatic moments.
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The microphone complement reflects standard feature film scoring practice. Tim's Mix balances the Decca Tree, wide, and close perspectives effectively. The Close mix privileges intimacy without sacrificing room information, a worthwhile consideration given the 10-player spread. The Room mix emphasizes the Decca Tree's fundamental beef and resonance, while surround arrays provide immersive placement options.
Mixing controls remain utilitarian but effective: seven presets plus user customization, basic EQ, reverb, and a legato speed knob that governs transition length for variable articulation timing. The legato speed parameter proves particularly valuable when adapting material between tempi without resampling.
Monster Low Winds suits composers and arrangers working in film, television, and orchestral hybrid scoring. Its true legato implementation and wide stereo capture distinguish it meaningfully from simpler ensemble tools, though the semi-circular setup means users accept moderate room perspective as inherent to the recording aesthetic rather than as a limitation