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Breakage - Rolling Drum & Bass
Loopmasters

Breakage - Rolling Drum & Bass

Multi-FX & Creative
$39.00
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Lowest ever: $36.00
90 day history
$0$10$20$30$40$5021 Apr14 May8 Jul
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On sale 54% of the last 90 days
Lowest tracked price: $36.00
Highest tracked price: $39.00
On sale 54% of the last 90 days - the typical low is $36.00.
About

Product Overview

Loopmasters' Breakage is a specialized effects processor designed to introduce the characteristic rhythmic fragmentation and polyrhythmic complexity found in rolling drum and bass production. Rather than functioning as a conventional beat-slicer, the plugin operates as a real-time granular manipulator that divides incoming audio into micro-segments and applies time-stretching algorithms to individual grains, creating the stuttering, syncopated textures essential to the genre's aesthetic.

The sonic character centers on controlled chaos. Unlike generic glitch effects that prioritize novelty, Breakage maintains musical coherence through its grain-rate synchronization engine, which locks divisions to host tempo and allows precise control over segment length, pitch variance, and feedback density. This architecture proves particularly effective on drums, vocals, and bass elements where rhythmic displacement enhances rather than obscures the source material.

The interface prioritizes workflow efficiency with intuitive controls for grain size, scatter amount, and feedback modulation. Parameter randomization functions prevent the processed signal from devolving into wash, an issue that plagues many granular processors in electronic music contexts.

Breakage distinguishes itself among competing tools through its genre-specificity. While Native Instruments' Glitch or iZotope's Stutter Edit offer broader sound-design flexibility, Breakage's narrower focus yields results that integrate seamlessly into drum and bass sessions without requiring extensive tweaking. It remains the preferred choice for producers working within the rolling subgenre specifically, where its preset engine already accounts for the mathematical relationships between tempo and rhythmic subdivision that define the style.

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