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Ministry Of Rock 2

Ministry Of Rock 2
Almost always on sale
On sale 89 of the last 90 days. Treat this as its normal price.
$69.00$149.00Save $80.00 (54% off)
Prices checked daily at 06:00 UTC. Affiliate link.

Price history

$0$100$20030 Jul12 Sept27 Oct
$0$100$20030 Jul12 Sept27 Oct
On sale
89 of the last 90 days
Lowest in 90 days
$59.00
Highest in 90 days
$149.00

About this plugin

Ministry of Rock 2 represents a substantial evolution in sampled instrument libraries, addressing a persistent challenge in modern production: creating convincingly organic rock performances from software sources. Built on an extensive 57GB sample set recorded across three professional drum kits at EastWest Studios, the library employs the company's established LIVE technology to generate performances that avoid the mechanical artifacts plaguing earlier generations of drum samplers.

The sonic foundation rests on meticulous engineering. Tal Bergman's drum recordings were captured with industry-standard outboard gear from Neve, Neumann, and Fairchild, while three discrete microphone positions - close, room, and compressed room - provide flexible mixing options. The inclusion of multiple snares and cross-kit customization acknowledges that professional rock work demands tonal variety within individual sessions.

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Guitar sampling follows similar principles, with performances from accomplished session players recorded across vintage and modern amplifiers including Marshall, Mesa Boogie, and Divided By Thirteen rigs. Round-robin sampling, legato techniques, and hammer-on articulations address fundamental expressiveness requirements that separate usable instruments from novelties.

Ministry of Rock 2 occupies a practical middle ground. It succeeds best as a reference tool during arrangement phases or as a rapid sketching medium, where its dense sample architecture outperforms lighter competitors. For final mixes destined for commercial release, producers typically reserve it for layering or replacement rather than standalone duty - a limitation rooted in sampling technology itself, not execution shortcomings.

The library functions most effectively within the hands of engineers who understand its strengths: comprehensive articulation coverage and transparent signal chain design, without illusions of replacing session musicians in demanding contexts.

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