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OP-Xa V

OP-Xa V
Not on sale right now
On sale 21 of the last 90 days. 90-day low is $99.00.
$149.00
Prices checked daily at 06:00 UTC. Affiliate link.

Price history

$0$100$20030 Jul12 Sept27 Oct
$0$100$20030 Jul12 Sept27 Oct
On sale
21 of the last 90 days
Lowest in 90 days
$99.00
Highest in 90 days
$149.00

About this plugin

Arturia's OP-Xa V is a software emulation of the Oberheim OB-Xa, the 1980 polyphonic synthesizer that established itself as a direct competitor to the Prophet 5 through sheer sonic aggression and harmonic density. This virtual instrument captures the core character of the original: a thick, slightly overdriven oscillator section with a resonant filter that exhibits pronounced self-oscillation and a characteristically warm, slightly compressed response across the frequency spectrum.

The plugin succeeds because it doesn't oversimplify the source material. The dual oscillators per voice generate genuine analogue character without relying on heavy aliasing artifacts, while the four-pole Oberheim filter topology reproduces the specific resonance peak and saturation behavior that made the hardware essential for 80s synth pop and contemporary electronic production. The envelope generators and LFO implementation provide the modulation depth necessary for dramatic pad work and evolving textural elements.

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OP-Xa V is best suited for producers and keyboardists seeking authentic 80s synth tones without the maintenance burden and acquisition cost of vintage hardware. Modern additions to the architecture expand its capabilities beyond the original, though the core appeal remains its ability to generate fat, slightly aggressive pad tones and percussive bass synthesis. The plugin integrates seamlessly into DAWs as a virtual instrument rather than an effects processor, positioning it alongside comparable Oberheim emulations from other manufacturers.

For engineers already familiar with analogue synthesizer architecture, OP-Xa V offers predictable parameter behavior and sonic consistency. Its primary value lies in tonal authenticity rather than sonic novelty.

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