iZotope's Trash returns as a refined distortion and convolution processor that consolidates creative sound mangling into a single, well-architected plugin. This update to the established tool maintains the core appeal of its namesake Trash module while expanding workflow flexibility across multiple processing stages.
The plugin centers on blending up to four simultaneous distortion algorithms via an intuitive XY pad interface, drawing from over 60 distortion presets that range from subtle saturation to extreme destruction. A dedicated Convolve module adds spectral character by layering up to four impulse responses simultaneously, with a library exceeding 300 spaces and objects - from recognizable studio equipment to found sound sources like tin cans and clock radios. Users can load custom impulse responses, making it viable for emulating specific gear or acoustic environments.
Frequency band splitting allows surgical application of distortion across the spectrum, enabling producers to add aggression to selected ranges without affecting the full mix. The Envelope Follower introduces dynamic modulation tied to incoming signal amplitude, while the Scream Filter adds unpredictable textural elements. A randomization function generates novel preset combinations, useful for overcoming creative inertia.
Trash occupies a pragmatic middle ground between creative destruction and controlled sound design. It lacks the surgical precision of surgical EQ-based processors but excels at adding character and movement to static sources. The blending architecture differentiates it from single-algorithm distortion plugins, though the interface demands familiarity to exploit its full potential. For producers and engineers seeking versatile harmonic enhancement layered with convolution-based space simulation, this update represents a solid, feature-complete choice.
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