Trash

Trash is iZotope's comprehensive distortion and convolution plugin, built around a multiband processing architecture that separates signal manipulation from traditional saturation tools. The core Trash module allows blending up to four independent distortion algorithms simultaneously via an intuitive XY interface, with real-time modulation capabilities for dynamic timbral shifts. This approach proves particularly useful for sources requiring character without uniform coloration across the frequency spectrum.

The Convolve module extends Trash's utility by offering over 300 impulse responses spanning acoustic spaces, speaker cabinets, and found objects. Users can layer up to four impulse responses, effectively stacking different convolution characteristics to sculpt the spatial and harmonic footprint of their material. The ability to import custom IRs elevates this beyond preset-dependent workflows.

What distinguishes Trash from simpler distortion plugins is its multiband capabilities. Splitting the signal into low, mid, and high frequency zones allows surgical application of aggression - adding bite to vocal highs, grit to bass fundamentals, or presence to drum transients without affecting adjacent spectral regions. An envelope follower adds dynamic behavior, responding to input amplitude for time-varying texture. The Scream Filter introduces additional harmonic manipulation for further sonic warping.

Trash serves producers working across electronic music, alternative rock, and hip-hop who require character-driven processing with surgical control. While capable of extreme destruction, the plugin equally excels at subtle enhancement when restraint is warranted. Compared to native DAW distortion tools or vintage-focused plugins, Trash occupies a middle ground between transparent processing and deliberate sonic mutation, making it a versatile studio addition for engineers seeking both creative flexibility and precise tonal shaping.