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The Farm Stone Room Studio Reverb
IK Multimedia

The Farm Stone Room Studio Reverb

Reverb
$99.99
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Lowest ever: $99.99
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$0$25$50$75$10021 Apr14 May8 Jul
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On sale 0% of the last 90 days
Lowest tracked price: $99.99
Highest tracked price: $99.99
Rarely discounted and currently at its lowest tracked price - a genuinely good time to buy.
About

Product Overview

The Farm Stone Room Studio Reverb is IK Multimedia's convolution-based recreation of the legendary stone drum room at Genesis' Fisher Lane Farm studio, engineered by Hugh Padgham. The impulse responses were captured before the space was demolished, preserving the acoustic signature that defined Phil Collins' drum sound on "In the Air Tonight" and influenced countless 1980s recordings.

The plugin's architecture centers on two distinct signal paths. The stereo section uses impulse responses from Neumann U87 room microphones, delivering the natural diffusion and decay characteristics of the original stone-walled space. The mono crush channel models an SSL Listen Mic Compressor paired with a vintage STC 4021 "Ball & Biscuit" microphone, capturing the aggressive, heavily compressed character that made those drum tracks instantly recognizable. This dual approach allows users to blend wet and compressed sources, recreating Padgham's signature layering technique.

Controls include dry/wet balance, room tone shaping via simple EQ parameters, and independent level management between the stereo and mono crush signals. The interface prioritizes straightforward operation without sacrificing depth - experienced engineers will appreciate the ability to dial in anything from subtle room ambience to the punchy, heavily processed sound of the original recordings.

The Farm Stone Room suits drum tracking and mixing, particularly for engineers seeking that specific 1980s aesthetic. While convolution reverbs have become commoditized, this plugin's value lies in its documented provenance and the particular sonic character of a space that defined an era. It remains a specialized tool rather than a general-purpose reverb, best deployed when that distinctive character serves the production.

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